Writing about the positioning of the theme park within the cultural battle of the New Right, tracing the use of immersive artifice to mobilize affects around an exalted national history, questioning the instrumentalization of heritage as a commercial tool for a reactionary narrative.

Writing about the practice of selective representation, tracing the evolution from the ancient legal practice of damnatio memoriae to modern cancelling culture, questioning how societies can increase their capacity to carve unheard voices.

Writing about the reconstruction of historical memory through the meticulous paper architectures of Thomas Demand.

Writing on the 59th Venice Biennale, tracing how the architectural interventions of the German and Spanish pavilions dismantle with different success institutional narratives to reveal the physical and political scars of the buildings themselves.

Writing on the exhibition “Nation, Narration, Narcosis” at the Hamburger Bahnhof, exploring the entanglement of collecting practices and embodied histories.

Writing on the weaponization of historical revisionism in the context of contemporary conflict, tracing the parallels between the reconstruction of imperial architecture and the expansionist "Greater Russia" narrative, questioning the role of cultural heritage in legitimizing autocratic power.

Writing on the reconstruction of the Humboldt Forum and the resignification of colonial symbols through the intangible heritage of stone masonry, questioning the use of "living culture" and craftsmanship as a tool for institutional rebranding of a Prussian past.

Writing about the proliferation of oversized typographic city signs across Spanish urban landscapes, tracing the spread of a visual formula derived from the Hollywood hillside letters, questioning the confusion between civic identity and city branding that their ubiquity symptomatically reveals.

Writing on the ethics of rebuilding imperial symbols like the Humboldt Forum through the work of artist Esper Postma, questioning the phantom presence of the Berlin Palace as a hollow monument to national identity.

Writing on the performative resilience of Berlin’s drag community in reclaiming visibility and public space during the constraints of pandemic lockdowns.

Writing on the mythologized "Children of Berlin" and the shift from alternative nightlife to urban branding, tracing the evolution of techno clubs as spatial anchors for gentrification.
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Writing about the systemic exclusion of migrant narratives from the mythologized history of post-Wall Berlin, tracing the contributions of populations from Turkey, Vietnam, and Eastern Europe to the city’s creative upheaval.

Writing on the contemporary obsession with architectural reconstruction and how historical mimicry creates a loop that obscures engagement with the present.

Writing on the Mediterranean as a fluid archive of displacement and colonial legacy, tracing the tension between the sea as a border-graveyard and as a space for radical belonging, questioning the cartographic erasures of migrant experiences.  

Writing on decolonial museum practices and the reclamation of agency by Indigenous artists against Western exoticization.

Writing on the reconstruction of the Humboldt Forum and the resignification of colonial symbols through the intangible heritage of stone masonry, questioning the use of "living culture" as a tool for institutional rebranding.

Writing on the intersection of data visualization and architectural activism, tracing how collaborative urban research can challenge the commodification of city data.

Writing on the "POPS" (Privately Owned Public Spaces) phenomenon, tracing the erosion of the public realm through corporate urbanism and the legal gray areas of contemporary city squares.

Writing on the deconstruction of heroic architectural myths to advocate for a more collaborative and grounded approach to urban planning.
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