Here is Pablo Santacana López.
I work on Writing for various platforms and journals,
Editing art books,Curating cultural programs
and exhibitions
Visualizing information through  design.
Enacting public art, and Facilitating

The Journal of Architecture (Routledge)
Royal Institute of British Architects, UK
(Forthcoming)
Queer(ing) Gründerzeit:
Charlotte von Mahlsdorf, the Mulackritze,
and the camp performativity of heritage.

Writing on "camp performativity" as a strategic tool for preserving and anchoring marginalized queer histories within the physical built environment.




In: University, Memory and Reparation,
University of São Paulo, BR
(Forthcoming)
Universities as Regimes of Truth:
Spanish universities, Francoist legacies
and the fragile politics of memory

Writing on the architectural persistence of Francoism in Spanish universities and how these institutions function as "regimes of truth" that resist democratic reparation.





Performance Research, Vol. 29, No. 1
Centre for Performance Research, UK
(2025)
The Reactionary Repertoire:
From embodied Gestures of the Past
to performative politics of the Present

Writing on the appropriation of historical gestures by right-wing movements to validate exclusionary nationalist narratives through bodily performance.





In: Arts, Heritage and Performative Politics,
Edward Elgar Publishing, UK
(2025)
Troubling performative heritage:
Puy du Fou as ‘softcore historicity’

Writing on the cultural model of historical immersion where embodied experientiality validates specific understandings of the past tied to the status quo, proposing the term "softcore historicity.”




Art & the Public Sphere,
Intellect Ltd, UK
(2024)
The Queering of Monuments:
Hauntological Remembrance in Vienna

Writing on hauntological remembrance in Vienna and the shift from static stone monuments toward more fluid, ephemeral modes of inclusive public memory.



PERFOMAP,
Leipzig, DE
(2023)
Authority, accessibility and antagonism:
Embodied historiographies towards a democratic urban praxis

Writing on how democratic urban spaces are generated when citizens perform their own historiographies through embodied and antagonistic practices.





Arte, Individuo y Sociedad 34(3),
Universidad Complutense de Madrid, ES
(2022)
Whose Expression?
The Brücke Artists and Colonialism

Writing on the colonial gaze within German Expressionism and the ongoing struggle of museums to address the exploitative roots of modernism.