Piedra Uno: La Movediza
Tandil, Argentina, Vendedores de Humo (2016).

Editing a zine on a famous balanced rock that fell in 1912, tracing its 2007 replacement by a synthetic replica made of resin and fiberglass to restore the city’s lost tourist silhouette.



Piedra Dos: El Cancho que se menea
Montánchez, Spain, Vendedores de Humo (2017).

Editing a zine on a 15-ton boulder toppled during the Civil War and recently returned to its peak by a crane—no longer a moving natural wonder, but a static monument fixed forever with steel and resine.


Piedra Tres: The Golden Rock
Kyaikto, Myanmar, Vendedores de Humo (2016).

Editing a zine on a massive geological boulder turned into a pagoda, tracing how its natural surface is hidden under thick layers of gold leaf to function as a spiritual and political icon.


GO176
Reykjavik-Berlin, Vendedores de Humo (2017).

With off Freitag. Editing a zine on a road trip through Iceland behind the wheel of a blue Volkswagen Westfalia Camper belonging toartist Jóhann Ludwig Torfaso


Fanzine de Barracas
São Paulo, Brazil, Vendedores de Humo (2015).

32 pages, 20 x 14 cm. Photography and text. Printed and laser-cut at Laboratorio Gráfico FAU USP.

Editing a zine on tropical architecture and the typical beach bars of Northern Brazil that use conventional clichés to reaffirm their identity for tourists.



Fanzine de Antenas
São Paulo, Brazil, Vendedores de Humo (2014).

26 pages, 21 x 14.8 cm. Photography, illustration, and text.

Editing a zine on the antennas that invade the rooftops of skyscrapers on Avenida Paulista—elements that define the city but never appear on the postcards.




La Carrá
Madrid, Spain, Vendedores de Humo (2014).
12 plates (20 x 14 cm) in a gold envelope with QR code integration. Illustration, text, and graphics by various contributors.

Editing a zine on the greatest Italo-Spanish icon, Raffaella Carrá, reinterpreting the scenography of her famous performances found on YouTube. With contributions by Lucia Fernandez, Miguel González Castro, Maria Buey, Marta Muñoz, Pablo Roa, Pablo Santacana, Enrique Espinosa, Julio Jiménez, Claudio Jiménez.



Cocinar como la buena burguesía / Gut bürgerliches Kochen
Madrid-Berlin, Vendedores de Humo (2017).

Editing a zine on the "bourgeois kitchen" born after the French Revolution, where chefs went from servants to professionals and democratized high cooking for everyone. Visual extracts from Helmut Lingen (1968). Recipes selected by Ana Melm, Bea, Elena Manzano Viagel, María del Mar, Marga Rodríguez, Rosalía de la Rosa Santos, Sofía Martín de Nicolás Domínguez, Nieves Peña, and Carmen López Farinós.