Enacting a  workshop, protest and exhibition that took place from October 2021-February 2022 around the FHXB Museum in Berlin. Taking as a reference the Anti Kolonial Denkmal in Bremen we spoke about the malleability of history and how through time and active processes of reclamation and protests, monuments have the possibility to be reframed. Along with the contributions from Vitjitua Ndjiharine we spoke about the German-Namibian colonial relationship, what the partition and subjugation of the African continent after the Berlin Conference in 1885 meant for the children and families living there. The children located Namibia in the map and agreed that this story should be remembered to avoid repetition. We learnt together about different commemorative practices and that a tree, a mountain or a garment can also be a monument.  

Under the question, which story would you like to give visibility to children made monuments to reclaim causes and positions that for them were important. From Children’s rights to basic needs around the planet, to children’s need to be listened to in political participation, from endangered animals and animal extinction due to climate related causes to justice in acknowledging each person’s ideas, all these anti-monuments were worn and taken in the form of a protest to Oranienplatz where the causes they exposed were presented in public space. 

The workshop is part of a series of artistic activations of the online archive Kolonialismus Begegnen, an archive initiated by the Friedrichshain-Kreuzberg Museum which collects traces and voices on the post/colonial history of the district and shows that colonialism is neither a historical event nor an academic concept, but rather a power structure that influences our present – a structure that we can change together.